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3 mic pres under $500. Black Lion Audio, True Systems and FMR Audio
| October 31st, 2009 | 74 Comments | « Previous | Episode 11 | Next » |
This episode I look at the FMR Audio “RNP”, Black Lion Audio “Auteur” and True Systems “P-Solo” in my quest to find a great mic pre under 500 bucks. Its pretty long winded but has tips and perspective aimed at beginner recording engineers and home studio recordists about testing gear and avoiding latency in native DAWs.
When I tested the pres almost all the big stores had the P-Solo under $500, but seemed to have raised the prices when I posted this episode, but I found at least one dealer that still sells it under $500 Zen Pro Audio
Music by Jeff Findl (feat. Dave Pearlman on pedal steel) Stay tuned til the very end for a 23 second concert film of Nels Cline (Wilco) and G.E. Stinson (Shadowfax, Half Monk).
Black Lion Audio + FMR Audio + True System
download for itunes here
October 31st, 2009 at 11:38 pm
Awesome show! Well done.
November 1st, 2009 at 1:24 am
Hey Ronan I really enjoy watching your videos. Keep up the good work.
November 1st, 2009 at 2:42 am
hey Ronan,
I really like your show, I’ve watched every episode, and learnt some cool things. One piece of criticism for you – I think if you repeat yourself less, the show length will be shorter and more watchable and still get the same information across. If you say the same thing many times in different ways, the show is longer than it needs to be, and you can still include just as much information. I think if you repeat yourself less, the show length will be shorter and more watchable and still get the same information across. If you say the same thing many times in different ways, the show is longer than it needs to be, and you can still include just as much information. I think if you repeat yourself less, the show length will be shorter and more watchable and still get the same information across. If you say the same thing many times in different ways, the show is longer than it needs to be, and you can still include just as much information. I think if you repeat yourself less, the show length will be shorter and more watchable and still get the same information across. If you say the same thing many times in different ways, the show is longer than it needs to be, and you can still include just as much information.
Sorry, I think I made my point, i don’t want to be rude about it.
Anyway, I really like your show, its great that you’re sharing your knowledge! Much respect.
Anthony
November 1st, 2009 at 3:40 am
I also really Liked the P-solo.
I have a 2 channel Fivefishaudio SC-1 and 8 Focusrite Platinum Pres, When I had 500$ a year ago I went for the Groove tubes Brick which is also a really nice preamp If you want tube. I use it for warming up amp modelers or Mics, and It really Is a good choice if you want a “good” tube mic amp to complement a Higher end Solidstate pre but don’t want to spend as much as you might have spent on your main pre.
November 1st, 2009 at 6:15 am
Awsome show Ronan!
Since you´re on the mic pre issue, it would be very interesting to see/hear a shootout of the pres you mentioned in the video (Pacifica, Great River… maybe TG-2, GTQ2) Mic pres in the area of $2000.
Thank you.
November 1st, 2009 at 7:14 am
Great shootout. Well explained. Definitely gives a better understanding of what one might expect for their money.
Props to BLA for having thick enough skin to take the criticism. That’s an anomaly in this economic climate.
November 1st, 2009 at 9:20 am
Dear Ronan, I think your shows are really great and the information that you provide is quite helpful indeed! The AES 2009 show was spectacular btw! I thought the “Shoot Out” show was interesting! I had no choice back in late 2002 but to purchase the then brand new FMR – RNP. I was using a Mackie 1604 and 32 channel at this time and the RNP was a step up. My preamp sounds from ART and Mackie were so bad for my work, that I opted to utilize Line 6 PODS (bass,guitar) for a 70 track double CD of Garage Music (Purple Iron Hat) , where I played all instruments. It was not until the end of 2002 when I got the RNP that I was able to incorporate the pre with the album that I was producing, but the RNP proved to really shine over the PODS with a bright definitive shimmery guitar sound (especially on the Zappa song, “Take Your Clothes Off When You Dance.”) I also found the RNP to be an excellent DI for both bass and guitar…vocals not so much. Of course I have better pres now, but at that time the RNP was a real eye opener to better fidelity recording. I would love to send you a copy of the album that I mentioned, let me know if you are interested. Many blessings to you Ronan! Peace. JT
November 1st, 2009 at 11:14 am
Hi Anthony, (RE: Repeating myself),
First off thanks for watching the show and second thanks for the feedback.
I liked your post. Reminded my of the King Crimson song “Indiscipline”
( I repeat myself when under stress I repeat myself when under stress I
repeat myself when under stress I repeat myself when under stress I repeat. The more I look at it,
the more I like it.
I do think it’s good.
The fact is….)
I agree with you about repeating myself. Its something I need to keep working on. The downside of the way I put the show together is the fact that I have to do it all guerrilla style at odd hours. Luckily my day job (making records and teaching the occasional workshop) keeps me extremely busy usually 7 days a week, and I put the show together after hours. I was literally editing this show at 3:30am the night before last after about 12 hours of tracking in the studio. I do not really have time to work off a script like a “real” show would do. I just jump in front of the camera (often several times in a week), share my thoughts and then try and make it some what cohesive in editing.
I say none of this to defend myself, I actually agree with you and really appreciate the feedback. Just letting you know why I make all of you sit through the bumps as bruises on the show. I guess its the price I make you pay for a show that is free and commercial free.
Thanks Anthony
Ronan
November 1st, 2009 at 12:03 pm
Great show, bumps and bruises and all and one that I think could really benefit guys getting into this. I wish I had a show like this when I first started.
If the clean pre (that remains nameless) that the Solo beat 100% of the time was a CS Flamingo, I’m gonna be bummed
Keep em’ comin!
Baz
November 1st, 2009 at 12:12 pm
Hey Ronan. Very very interesting. This is what I’m talking about, all this info has its place and once again you’ve demonstrated that. What I found fascinating, was your willingness to let go of your presupposition to each mic pre till the tally was in from the A B blind test. I say that because we all have some tendency to look favorably on the one we’ve heard about and most likely might lean toward that one and it possible could interfere with our judgment in each test. You’ve structured and explained the differences and variables in each mic preamp in such a way that you let us make the decision base upon independent thinking. The exact position Black Lion took. When you can get a company like Black Lion to respect your review, what does that say about them? And you for that matter. That is integrity at its core. This is what I’ve come away with and hopefully the others here also. We are trusting all bodies here to give us the info that is meaningful to our economic and educational pursuit in the realm of recording. Amazing. Just a sidestep Though my preferences would have been the $1000 to $2000 range, I have learned a lot from the $500 range example. An absolutely great show!
November 1st, 2009 at 1:26 pm
Great episode, Ronan. One step closer to understanding the mystique behind the preamp!
November 1st, 2009 at 2:14 pm
Excellent show. Looking forward to more shootouts in the future!
Cheers,
RG
November 1st, 2009 at 3:35 pm
Cool video. Love your work.
Great show as always.
Hey I see True Systems also does a specific preamp for Ribbon Mics. H
How about a show that discussed why one would use a Ribbon Specific preamp
That could include the True System P-Solo Ribbon
ps. I have put a link to your show on my website.
November 1st, 2009 at 3:46 pm
Excellent! Lots of great info. Really like the extra hints that appear on the screen for us rookies. PS The True Systems model is currently selling for $535… wonder if they jacked up the price ‘cuz of your review?
Many thanks, Ronan, I’m learning lots!
November 1st, 2009 at 6:57 pm
Thanks for taking the time to do this show. I agree their are so many variables of pre’s that it’s hard to do an A/B comparison. Some prefer modern electronics and some rather tube ( that’s me) I run an analog setup and at this time I use the pre’s on my Mackie VLZ pro mixer. I’m looking forward to more shows in the future.
November 1st, 2009 at 10:52 pm
love the show dude, u chat at the mouth some but cool
November 2nd, 2009 at 2:56 am
perfect show for having breakfast and starting a day
btw I liked all your episodes
November 2nd, 2009 at 5:07 am
Hey Ronan,
Another great show, you rock.
You covered all the features real well.
I know you like critique so I’ll just say I was disappointed in you not mentioning the big boys the True systems pre did beat. You mentioned you don’t like talking trash about companies but in all fairness they’re just another price range to include and you did kinda include nothing beat Pacifica, just saying…
November 2nd, 2009 at 10:22 am
Ronan,
I used to be safe from preamp gear lust because it was all too expensive. You might have ruined that for me. Of course, if I really take the advice of fixing everything at the source, I will stop fiddling with gear and start practicing a lot more.
Chris
November 2nd, 2009 at 11:44 am
Marcello, thanks for bringing that to my attention. They were less than $500 when I started making the show. Now I look a little silly. After you told me this I did find one dealer that still has them for less than $500 Zen Pro Audio I put that link at the top of the page now to.
November 2nd, 2009 at 1:10 pm
Excellent show as was the Namm show. It’s funny, I now look forward to upcoming episodes. Would love to see more recording techniques and maybe a word or two on recording theory. Great work as usual.
Cheers
November 3rd, 2009 at 3:18 am
Excellent, informative review. The True Systems looks like a great little preamp.
Unfortunately, in the UK these brands are not so common as Presonus etc. so the prices are rather higher – $900 for the True Systems and $800 for the RNC (ouch).
November 3rd, 2009 at 6:20 am
Great show! Always interesting!!! Bye
November 3rd, 2009 at 2:24 pm
Hi Ronan,
Very cool show!
I find the DBX286a to be a step up from stock pre’s on Mackie boards or audio interfaces. Very clear, nice shimmer and low noise.
Although it’s a channel strip I rarely use anything but the preamp.
I paid $100 through e-bay for it and have not regretted it.
The unit retails for $200.
November 3rd, 2009 at 9:08 pm
Ronan, u r the best!!!! Keep up the great work, you are making our music better!!!
November 5th, 2009 at 3:06 pm
Aah I would’ve loved to see the Pre73 in there too! Or a DAV bg-1! (because I use them…)
I love these two units at their price point, and would be so interested to hear your comparisons with the FMR and BLA.
You do a wicked show, keep it up.
November 5th, 2009 at 4:25 pm
Great show. It’s good that you mentioned detents. The Red 8 by Focusrite is also stepped in +6dB increments, and at the higher end of the gain where you usually are, it can be too much or too little in some cases.
November 5th, 2009 at 5:00 pm
Hi Ronan – firstly awesome work on the site, your videos are really well made and very useful (especially for the millions of us out there on a budget).
I just wanted to suggest another mic pre you might want to think about reviewing sometime in the future if you get the chance – Sontronics Sonora. I don’t know if it’s under $500, but it retails for £339 here in UK for 2 channels with DI on both as well. There are a few reviews around that seem to be generally positive, but i have found almost nothing in terms of user reviews.
Also +1 for the GAP 73! I would love to know what you think of that unit, it definately seems to offer a lot for the price.
Thanks again for the great videos, i really hope you can up the viewer numbers here and maybe get some advertising revenue (you must eat quite a bit of bandwidth considering the high quality of the videos).
November 7th, 2009 at 6:41 am
Very good review; there are many units to choose from. There is one pre I would really like to see in your next shootout, assuming there will be another one. One of the most talked about pre in the low end is the ART Pro MPA II with a tube swap. It’s either really respected or really hated. What I have seen on Gearslutz. it seems that it is more respected than not and it is rather feature packed. I know that you are looking for units out of the box, unmodified, and the most favorable reviews of the MPA come after a tube change, but I still think it would be a good test of the unit unmodified to at least see the potential or lack thereof. You did such a good honest assessment on the shootout that I think that you would do an honest assessment on the ART and not nock it down just because of the name. After all, Tony Visconti has an MPA…. ooooooo it must be good….hehehe. But seriously, I really would like to see an honest shoot out of this unit…..
Thanks again for all your great work!!!
November 10th, 2009 at 5:48 pm
Good alternate suggestions so far:
-ART Pro MPA II ($300)
-Golden Age Pre-73 ($300)
I might add the Line Audio 2MP (~$350) and Shinybox Si ($500, though the 500 series power supply/rack is an extra cost.)
November 11th, 2009 at 7:47 pm
Very nice show!
However, no wonder the True Labs came first… it’s more expensive than the two others and it only has a channel (without pad and phase inverter!). That wasn’t very fair.
My choice is on the RNP which I will get this Friday!
November 11th, 2009 at 7:56 pm
However, no wonder the True Labs came first… it’s more expensive than the two others and it only has a channel (without pad and phase inverter!). That wasn’t very fair.
My choice is on the RNP which I will get this Friday!
Hey Animal mother, Thanks for the kind words about the show. Enjoy the RNP. Its a cool mic pre. I was a little bummed when I was sending the review unit back. I know the True Systems is twice the price, but the goal of the show as to find a great pre under $500. So far its the best mic pre I have used that fits that criteria.
November 11th, 2009 at 10:24 pm
Thanks very much. Excellent job. Just wanted to recommend the Seventh Circle Audio N72 pres. You can get them assembled by SCA for around 500 a channel, but you’ve got to spring for the 8-channel chassis and power supply when you get your first channel(s). After that though, it’s just 500 a pop (until you pick up your 9th). Long turn-around time for orders, but it’s worth it. Absolutely beautiful pres. In fact, my first pair ended up replacing my A-Designs Pacifica. (I would have kept that too if I could swing it though). Anyway, thanks again.
November 12th, 2009 at 7:46 am
Thanks for the answer Ronan.
Another suggestion for your next episodes:
Can you provide some kind of grid/chart detailing each preamp’s strong and weak points for different scenarios (vocals, amps, acoustic guitar, percussions, stereo techniques, etc.)? We get the point in the review that they’re all three good preamps but it’s not so clear which preamp is better for what situation…
I’m getting a used RNP but I only plan to record guitar/bass amps. Maybe another preamp in this price range will do a better job than the RNP even though it’s a good preamp.
Keep on the good work dude!
November 12th, 2009 at 5:26 pm
Well done. I’ve seen you around Gearslutz for a while now, but I had no idea. You’re amazingly articulate for a an audio geek.
Seriously, great job. Thanks.
November 17th, 2009 at 2:59 pm
Thanks so much for doing this!
November 20th, 2009 at 9:02 pm
Great show Ronan.I would like to see you shootout more gear as I think you are unbiased for the most part and a purist at heart.
November 20th, 2009 at 9:09 pm
I would love to do more as well. Its simply a matter of actually finding the time. It takes me a really long time to do a shoot out that I feel comfortable talking about publicly. To throw them together fast would be unfair to the audience and the manufacturers.
November 20th, 2009 at 10:04 pm
I would like to see the ART Tube MP, the one under $100 tried out also.
I own this and A/B it against some very nive pres, and the results were stunning.
November 22nd, 2009 at 3:39 pm
It was too bad you couldnt get a Line6 gearbox based preamp…we did A/B testing against other Neve and API clones and found that the UX8 was very close and at $500 for 8 channels.
Conceptually its a different animal since its a digital modeler…but it does an excellent job and at the $500 price point you couldnt beat it with anything.
Answering for the guy above the ART tube MP and other units like it that use the tube as a light are noisy before a mic is hooked up to it…you have to more voltage than a wall wart can provide to properly bias a tube.
November 22nd, 2009 at 4:22 pm
wow, your show is great. wicked and comfortable to watch. really informative, i’m glad i found it. keep it up man.
December 29th, 2009 at 10:41 am
[...] Mic preamp reviews. Black Lion Audio, FMR Audio and True Systems | Ronan’s Recording Show __________________ FiZiKs Soundclick [...]
December 29th, 2009 at 5:22 pm
Thanks for taking the time to do this shootout!
I already own a Focusrite ISA One and am looking for another preamp to go with it.
I have been considering the True Systems P-Solo and the GAP PRE73.
Which of these would you recommend to go with Focusrite ISA preamp?
Thanks
December 31st, 2009 at 9:29 am
Hey Ronan,
Awesome show! I for one really appreciate the long-format explanation of your process and found the video really helpful. I am looking for an affordable preamp rig to power four mics, and am leaning towards a pair of RNP’s, figuring $1000 for four channels is a good deal. I’m wondering though–will the RNP’s be a significant improvement over the XDR pre-amps on my Mackie 1402-VLZ3? They are good for the most part but start to whine at the top end on my dynamic mics (EVRE20, Shure SM7B), and I’m looking for something that will fatten the sound and not complain when I push the gain.
Thanks man! You rock.
December 31st, 2009 at 10:02 am
Sam, Thanks so much for the kind words.
I would assume the RNP would be better than the Mackie mic pres. I was hoping to throw them into the tests as well but did not have the time. The one thing I can say is that when I ran the RNP at full gain with dynamic mics I did not get any of the “whine” you mentioned. In your situation I would probably look at getting one RNP and one Black Lion Audio. I found them to be comparably in quality, but had different coloration. This would give you a wider range of tonal options for about the same money. -Ronan
January 27th, 2010 at 12:13 pm
Thanks
Great shootout
February 16th, 2010 at 7:13 am
How would the Golden Age Project Pre 73 stack up against the P solo? Anyone have an idea?
Calum
March 2nd, 2010 at 3:13 pm
how bout the Golden Age Project Pre-73 preamp?
March 10th, 2010 at 8:59 am
Hey Ronan/Everyone,
Since my last comment I’ve picked up both an RNP and a GAP 73, and I can report that they are both fantastic. I’ve got them both running through an RNC on SuperNice mode.
I must say that I like the overall sound and feel of the RNP better–it’s got a little color, but nothing harsh, and to my still-noobish ear at least, sounds rounder and fatter than the 73. That said, the 73 has been invaluable for my Shure SM7b–I use it to mic a female speaker with a fairly soft voice, and the 73’s 80db of gain boost things perfectly, so she feels no pressure to force her voice, and the sound is full and balanced nicely with the rest of the mix. I’ve been using RE20’s with the RNP and it’s got just enough gain to make the mic’s really speak–though I find they have to be addressed from fairly close for optimum results.
Anyway, hope this is helpful, and I couldn’t have made the decision without your awesome show, Ronan! Rock on.
March 15th, 2010 at 8:22 am
Hey Ronan, great show!
@Sam (Above)- Cheers for the comparison between the RNP and the golden age, they’re the main contenders for my purchase at the moment. I’ve heard that Golden Age’s need to be modded (inc/ lost warrantee!!) to sound proper good, and after the black lion’s High-gain-issue, i wouldnt want to take the risk. If i had the momey to buy both, the first thing i’d do id make the video for youtube in (HD) for comparison between them, that’s all the people want!!
March 25th, 2010 at 6:59 am
In terms of a “fatter” sound, which of the two, RNP of Auteur, sounded better on kick and snare?
March 26th, 2010 at 8:47 am
Does the P-solo have enough gain for a dynamic mic like the Behringer M201 TG or Shure SM57? Is noise an issue?
March 26th, 2010 at 9:24 am
Philip, The gain was quite good and clean on the P-solo. At high gain it was the cleanest of all the mic pres in the test. I did one test where I used an SM57 to record and organ that was 2 or 3 meters away and it had enough gain and sounded quite good-Ronan
March 26th, 2010 at 9:30 am
Cody, I am not sure I could say one was fatter than the other. As I used them both in many situations with different mics, sometimes the RNP would sound fatter and sometimes the Auteur. I think I would have to say it was a tie.
March 26th, 2010 at 9:10 pm
Ronan – I had a great experience dealing with Black Lion as well and as soon as I can save up some cash, I may opt for an Auteur. A friend had told me that they had been modding Nady PRA-8’s and improving them — (yeah, a Nady PRA-8, what I’m learning on here) — so I sent an email to Black Lion and asked if they were doing that work. Got a very respectful and warm response back that they did not, had done it a little in the past but found that opening them up sometimes became unworkable, etc. After all, my Nady pre is an inexpensive 8 channel — but, I did appreciate that they responded and treated me with respect even though some might find the idea of modding a PRA-8 laughable. Frankly, I have more to learn with a PRA-8 before I have exhausted it’s limits — and in the meantime, I’ll save up for something better. The guys at Black Lion are pretty straight up and respectful, so there is something to be said for that — I work in my day job for a fortune 100 company, and it’s spending millions of dollars to educate the workforce about integrity — Black Lion has it from the ground up. That’s pretty priceless in my book.
March 27th, 2010 at 3:33 am
Dan, That is so true. The folks at BLA are super cool. Great company. Thanks for chiming in.
April 9th, 2010 at 12:27 am
Hi,
The Focusrite ISA One is now $499!! Any chance of checking this out and the Golden Age Projects PRE73?
May 8th, 2010 at 6:00 am
Hi Ronan,
Great stuff! Am generally a veteran to song writing and more of an observer to recording over the years. I finally decided to get into the recording aspect a little more for the fun of it.
I was just about to head out to the store to buy the FRM RNC and caught your show just before leaving. I feel more confident on my decision to purchase one now.
I’ll be back and tell a few people about your wonderful site.
Cheers,
JP
May 10th, 2010 at 5:49 am
The Line Audio 2 channel mic pre is worth looking at. I have owned one for about three years. It’s very clean. I don’t think it compares to the big stuff of API or Pacifica. But it works well, it has very low noise and presumably high quality components. It is made in Sweden by one person who I believe works out of his home.
May 10th, 2010 at 4:06 pm
Not a new preamp, but I would like to see the Aphex 107 in a shootout. I haven’t seen many real good shootouts/reviews with it, and it is a main contender in cheap mic pres. I believe they were originally $600 – $700 new, but can now be commonly found for about $150 – $250, sometimes less if you’re lucky.
Just a thought.
June 5th, 2010 at 5:13 am
Hi great vid on the mic pre’s! I would like to know your thoughts on Presonus equipment Mic pre and Audio interfaces ect…
June 5th, 2010 at 9:15 am
Hi Peter,
Thanks for your kind comments about the show.
I do not have tons of experience with Presonus gear, but I have always found it to be solidly usable. For the most part not exciting high end but for the most part, but if I had just presonus stuff, it would certainly not stop me from making decent sounding records. again I do not have tons of personal experience with this, just a bit and have gotten the same impression from other engineer pals.
I gotta admit I am really interested to try the PreSonus ADL 600 2-channel Tube Microphone Preamplifier they did with Anthony Demaria Labs. That looks pretty cool.
June 18th, 2010 at 6:34 am
That was great – lots of great info and you dumbed it down enough that even I understood it!
Trench Town Oddities
June 23rd, 2010 at 5:37 pm
Valuable information and great show. I’ve been looking at Studio Projects’ VTB-1 but now thinking I might save up for the RNP or P-Solo. I really only need one channel … any thoughts about which would work best with a Native American flute?
June 24th, 2010 at 4:23 pm
Paul, If you want a mic pre that will do a good job of capturing the natural sound of a Native American flute, I can not imagine a better mic pre than the P-Solo with out spending a lot more money. – Ronan
June 25th, 2010 at 6:28 pm
Paul, I have a VTB-1 from Studio Projects, I love the sound of it in acoustic guitars, I recorded vocals with tube blend and prefer to use it clean, tube does fatten the sound but this will depend on your taste. For me it will be super to have a comparison of a mic pre in the $500 like the ones tested in the shoot-out versus the VTB-1, when I owned it back in 2002, reviews were pretty heavy in comparing this cheap pre-amp with $500 plus. Do not know how biased those reviews were, as for Ronan, this is the best video/explanation I have ever seen that really tells a story, being myself an engineer (not audio), I think Ronan’s testing has been very objective and unbiased. Ronan, congratulations with your show, and many thanks!
June 25th, 2010 at 6:32 pm
Javier, Thanks so much for sharing your experience with the rest of the viewers, and for your kind words.
June 26th, 2010 at 3:08 am
It’s not $500, but, for a couple hundred more, I really love the UA 710 Twinfinity. Well under a grand, and you get 2 for the price of one. A solid state & a tube pre. And it has a blend knob. So you not only get one or the other you can have as much, or as little of either. SS not warm enough? Tube not punchy enough. A little tweak, and problem solved.
June 28th, 2010 at 1:39 am
Hello from France !
First of all, congratulations for your show Ronan. That’s awesome ! I’ve discovered it few days ago and I’ve suscribed to the web site’s RSS feed. Your videos are greats !
Like many of independant musicians, I’m looking for a nice preamp under 500 bucks. I’m interested by the RNP but I was wondering if someone has compared with the Joemeek ThreeQ ?
I hesitate between 1 FMR RNP or 2 joemeek ThreeQ. Any advice ? Thanks a lot for your help
June 28th, 2010 at 9:56 am
Charly, I have never done a direct comparison. All the the Joe Meek gear I have used has not been great, but good and I had no problem using it. I also mix lots of records recorded by other people and when they have used the Joe Meek pre-amps the tracks have sounded pretty good.
So I do not really have a recommendation for you, but only to say that either choice would probably be OK.
ps. Thanks for the kind words about my videos – Ronan
July 15th, 2010 at 9:50 pm
hey good shiT broO . your shows are very informative and i have learned a lot from watching . i just bought a apogee duet today and plan to buy a shure sm7b . do you think i will benifit with a preamp like the p solo ? how are teh pres in the duet ? thanx man
August 7th, 2010 at 12:25 pm
great show ronan,
i consider myself a novice still, and haven’t stepped up to the next realm of pro audio gear… however, my chops are improving and i’m already sensing myself wanting to explore better gear… i’ve been looking into the more expensive pres and would like to start building up a decent outboard unit…
with that said (and for the time being), i’ve been recently exploring the art tube mp… now, to most purists this unit appears to be a joke… but in my current budget and level of experience i must say that this thing has far exceeded any expectations i had when i forked over 30 bucks for it at a store…
i’d also been reading in forums how swapping the stock tube out of this thing with a more decent counterpart would make a huge difference…
so i recently (and VERY carefully) swapped it out with an ARS 12ax7a/7025 and was blown away by the results… i ran my guitar through it to an amplifier, maxed out the gain and the thing was dead quiet until i strummed a chord…
i’d really like to see a future video on really cheap gear that either sounds amazing for the price — either standalone, or with some tweaking…
alex
August 13th, 2010 at 1:30 pm
Greetings Ronan,….
How about a test shot comparison between the Focusrite ISA one
and the GAP pre-73. That should be alot of fun.
The pre-73’s are a lot of bang for the buck. Thanks! D G Brown
August 20th, 2010 at 6:48 pm
[...] first hearing about this preamp and seeing it compared and tested to other mid-priced preamps on Ronan's Recording Show, I had some serious gear lust for this preamp. For about $500 you get one of the absolute [...]