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<channel>
	<title>Ronan's Recording Show</title>
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	<link>http://ronansrecordingshow.com</link>
	<description>Recording and Pro Audio: Behind the Scenes Interviews, Recording Studio Tours and Music Production Tips. Hosted by Producer Ronan Chris Murphy</description>
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			<item>
		<title>The Swirlygig Swirlyhook and Simple Mixing Tips</title>
		<link>http://ronansrecordingshow.com/2013/05/the-swirlygig-swirlyhook-and-simple-mixing-tips/</link>
		<comments>http://ronansrecordingshow.com/2013/05/the-swirlygig-swirlyhook-and-simple-mixing-tips/#comments</comments>
		<pubDate>Tue, 28 May 2013 06:57:00 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[headphone holder]]></category>
		<category><![CDATA[mixing tips]]></category>
		<category><![CDATA[Recording Advice]]></category>
		<category><![CDATA[swirlygig]]></category>
		<category><![CDATA[swirlyhook]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1775</guid>
		<description><![CDATA[
Way back in episode  4, I reviewed the Swirlygig studio drink holder and in this episode we check out the new swirlyhook headphone holder. I also share a simple trick I use to find trouble spots in a mix.
To watch on your ipad or iphone download the m4v version.
]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2013/05/the-swirlygig-swirlyhook-and-simple-mixing-tips/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
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		</item>
		<item>
		<title>ATTY Winner &amp;  Neumann KH 120 A mini review</title>
		<link>http://ronansrecordingshow.com/2013/05/atty-winner-neumann-kh-120-a-mini-review/</link>
		<comments>http://ronansrecordingshow.com/2013/05/atty-winner-neumann-kh-120-a-mini-review/#comments</comments>
		<pubDate>Mon, 20 May 2013 16:49:20 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[ATTY]]></category>
		<category><![CDATA[Neumann monitors]]></category>
		<category><![CDATA[REDDI]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[speakers]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1757</guid>
		<description><![CDATA[
This episode includes a mini review of The new Neumann KH 120 A  Studio Monitors (please see disclosure statement about link)
I reveal the winners of the ATTY give-away and why I choose them. Check out the tracks.
Winner of the new ATTY
Carey Langille http://www.youtube.com/watch?v=xR2N50_zJRg
You can download the track for free here
Winner of the used ATTY
Pablo Vidal [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2013/05/atty-winner-neumann-kh-120-a-mini-review/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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		</item>
		<item>
		<title>SPL Transient Designer Review: Hardware vs Plugin comparison</title>
		<link>http://ronansrecordingshow.com/2013/04/spl-transient-designer-review-hardware-vs-plugin-comparison/</link>
		<comments>http://ronansrecordingshow.com/2013/04/spl-transient-designer-review-hardware-vs-plugin-comparison/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 18:37:47 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[Native]]></category>
		<category><![CDATA[RTAS]]></category>
		<category><![CDATA[TDM]]></category>
		<category><![CDATA[Transient Designer]]></category>
		<category><![CDATA[UAD plug in]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1746</guid>
		<description><![CDATA[
In this episode I see how my beloved SPL transient hardware compares to the plug in version I just bought.
For info about the upcoming courses I mentioned in LA check our Recording Boot Camp and for the Vocal Recording Master Class in the DC area May 11 check out the Chuck Levin&#8217;s web site.
Download the [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2013/04/spl-transient-designer-review-hardware-vs-plugin-comparison/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
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		<item>
		<title>The Golden Rule for Compression and A Designs ATTY give-away</title>
		<link>http://ronansrecordingshow.com/2013/03/the-golden-rule-for-compression-and-a-designs-atty-give-away/</link>
		<comments>http://ronansrecordingshow.com/2013/03/the-golden-rule-for-compression-and-a-designs-atty-give-away/#comments</comments>
		<pubDate>Fri, 22 Mar 2013 19:16:07 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1719</guid>
		<description><![CDATA[
Live from Athens Greece and The Living Room Studios, in this episode I explain my golden rule about tracking with compression, and also explain recording levels when recording to digital and using passive attenuators (Such as the A Designs ATTY and the Little Labs Redcloud). But more important than all that, I am giving away [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2013/03/the-golden-rule-for-compression-and-a-designs-atty-give-away/feed/</wfw:commentRss>
		<slash:comments>155</slash:comments>
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		</item>
		<item>
		<title>UBK Clariphonic DSP Review &#8211; Kush Audio</title>
		<link>http://ronansrecordingshow.com/2013/01/ubk-clariphonic-dsp-review-kush-audio/</link>
		<comments>http://ronansrecordingshow.com/2013/01/ubk-clariphonic-dsp-review-kush-audio/#comments</comments>
		<pubDate>Fri, 25 Jan 2013 10:14:13 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[Clariphonic]]></category>
		<category><![CDATA[DSP]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Kush]]></category>
		<category><![CDATA[plug in]]></category>
		<category><![CDATA[UBK]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1706</guid>
		<description><![CDATA[
In this episode I review the Clariphonic DSP, The plug in version of Kush Audio&#8217;s Clariphonic hardware parallel EQ. You can download audio samples Please note: there is a mistake in the editing and the raw drum overhead sample is mono. We are trying to fix that ASAP
Download the m4v version for your iphone or [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2013/01/ubk-clariphonic-dsp-review-kush-audio/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
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		</item>
		<item>
		<title>AEA RPQ500 mic pre EQ explained</title>
		<link>http://ronansrecordingshow.com/2012/12/aea-rpq500-mic-pre-eq-explained/</link>
		<comments>http://ronansrecordingshow.com/2012/12/aea-rpq500-mic-pre-eq-explained/#comments</comments>
		<pubDate>Wed, 12 Dec 2012 08:32:08 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[500 series]]></category>
		<category><![CDATA[AEA]]></category>
		<category><![CDATA[lunchbox]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[ribbon Microphones]]></category>
		<category><![CDATA[RPQ]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1690</guid>
		<description><![CDATA[
This episode we dig into the new mic pre from AEA the RPQ500. It is a mic pre and EQ in the 500 format. After playing with it a few days, I could not wrap my head around the EQ section. I suppose if I had &#8220;RTFM&#8221; I could have figure it out, but one [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2012/12/aea-rpq500-mic-pre-eq-explained/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		</item>
		<item>
		<title>Mobile Acoustic Panels from LA Sound Panels</title>
		<link>http://ronansrecordingshow.com/2012/10/mobile-acoustic-panels-from-la-sound-panels/</link>
		<comments>http://ronansrecordingshow.com/2012/10/mobile-acoustic-panels-from-la-sound-panels/#comments</comments>
		<pubDate>Mon, 08 Oct 2012 07:49:41 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[acoustic treatment]]></category>
		<category><![CDATA[bass traps]]></category>
		<category><![CDATA[corner traps]]></category>
		<category><![CDATA[Sound Panels]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1673</guid>
		<description><![CDATA[
This week I show off a cool new mobile acoustic panel solution that my buddies at LA Sound Panels built for me  that has ended up being way more useful than I thought it would be when I bought the panels.
Download the m4v version for your ipod or ipad.
]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2012/10/mobile-acoustic-panels-from-la-sound-panels/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
<enclosure url="http://ronansrecordingshow.com/wp-content/uploads/videos/RRS-42-ipod.m4v" length="84024311" type="video/x-m4v" />
		</item>
		<item>
		<title>Two new recording technique interviews</title>
		<link>http://ronansrecordingshow.com/2012/09/two-new-recording-technique-interviews/</link>
		<comments>http://ronansrecordingshow.com/2012/09/two-new-recording-technique-interviews/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 17:47:26 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[Full on Drums. AEA microphones]]></category>
		<category><![CDATA[producer interviews]]></category>
		<category><![CDATA[Ribbon Mics]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1668</guid>
		<description><![CDATA[This &#8220;episode&#8221; is two new interviews I have done featuring lots of recording approaches and theory.
Interview for the new AEA Ribbon Mics webzine Fix it in the Mic

Drum Recording interview for Full On Drums (You can see parts 2&#38;3 on their web site)

]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2012/09/two-new-recording-technique-interviews/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
<enclosure url="http://ronansrecordingshow.com/wp-content/uploads/videos/RRS-41-ipod.m4v" length="23017669" type="video/x-m4v" />
		</item>
		<item>
		<title>Maag EQ4, UBK Clariphonic, Square State model one b, Hammer and EM-EQ2</title>
		<link>http://ronansrecordingshow.com/2012/06/maag-eq4-ubk-clariphonic-square-state-model-one-b-hammer-and-em-eq2/</link>
		<comments>http://ronansrecordingshow.com/2012/06/maag-eq4-ubk-clariphonic-square-state-model-one-b-hammer-and-em-eq2/#comments</comments>
		<pubDate>Wed, 27 Jun 2012 17:56:33 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[Clariphonic]]></category>
		<category><![CDATA[EM-EQ2]]></category>
		<category><![CDATA[EQ4]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[Solid State]]></category>
		<category><![CDATA[Square State]]></category>
		<category><![CDATA[The Hamer]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1635</guid>
		<description><![CDATA[THE MONSTERS OF SHEEN

Several months back I presented my first “Shoot Out Salon”, an event I created to get engineers together to do hands on testing of specific gear. I called this first one “The Monsters of Sheen” and we tested several hardware EQs known for their ability to add beautiful sheen, or brilliant high [...]]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2012/06/maag-eq4-ubk-clariphonic-square-state-model-one-b-hammer-and-em-eq2/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
<enclosure url="http://ronansrecordingshow.com/wp-content/uploads/videos/RRS-40-ipod.m4v" length="390962818" type="video/x-m4v" />
		</item>
		<item>
		<title>Triton Audio FetHead vs. Cloud Microphones Cloudlifter Cl-1</title>
		<link>http://ronansrecordingshow.com/2012/04/triton-audio-fethead-vs-cloud-microphones-cloudlifter-cl-1/</link>
		<comments>http://ronansrecordingshow.com/2012/04/triton-audio-fethead-vs-cloud-microphones-cloudlifter-cl-1/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 20:07:44 +0000</pubDate>
		<dc:creator>Ronan</dc:creator>
				<category><![CDATA[All Episodes]]></category>
		<category><![CDATA[Cloudlifter]]></category>
		<category><![CDATA[Fethead]]></category>
		<category><![CDATA[Pre amps]]></category>
		<category><![CDATA[Ribbon Mics]]></category>
		<category><![CDATA[shootouts]]></category>

		<guid isPermaLink="false">http://ronansrecordingshow.com/?p=1624</guid>
		<description><![CDATA[
After a long wait, I finally get a change to compare the Triton Audio FetHead against the Cloud Microphones Cloudlifter CL-1. We tested with Shure SM57s and Cascade Fathead Ribbon Mics
Download the M4V version for your ipad or iphone
Download the Audio Samples
or past this link into your browser ronansrecordingshow.com/wp-content/uploads/audio/fethead-v-cloudlifter.zip
]]></description>
		<wfw:commentRss>http://ronansrecordingshow.com/2012/04/triton-audio-fethead-vs-cloud-microphones-cloudlifter-cl-1/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
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